Review: Slaughterhouse-Five by Kurt Vonnegut

Age Group: Adult
Genre: Who knows
Pub Date: 1950
Publisher: Vintage

“All this happened, more or less.” The first line of Slaughterhouse-Five is a warning of how Vonnegut will blur the lines between fiction and reality throughout the book.

The narration of Slaughterhouse-Five is a peculiar one. This is a fine example of meta-fiction, the first chapter follows the author (who we can presume to be Vonnegut, but could be as fictional as the Tralfamadorians who turn up later in the book) and then of his book, The Children’s Crusade, which is about a World War II soldier, Billy Pigram, and his time-travels through past, present, and future. Oh yeah, and there are aliens. And the author keeps turning up in the novel that he has written.

It’s all a bit confusing at first.

It feels like Vonnegut is trying to make a statement. And that statement is to abandon everything you think you know. The reason Slaughterhouse-Five was so initially confusing was because I kept trying to label it in my head. “Okay,” I thought, “This is a meta-fictional, black comedy, war story”. And then time-travel appeared. And then the Tralfamadorians turned up.

Once you give up on trying to understand the story, you can focus more on what the story is trying to say. And it says a lot of important things.

At the heart of it, Slaughterhouse-Five is a war story, and although there are a lot of comedic elements to it, the recurring reminder of death (so it goes) is through it. The awful events of Dresden seriously affects Billy Pilgrim, so much that it distorts his reality through post-traumatic stress. Vonnegut paints it clear that he does not condone war at all, and that although this is a work of fiction, the self-referencing in the times of war shows that he knows what he’s talking about.

Then there’s the concept of time. And the helplessness you have against it. Billy Pilgrim is zapped around time without having any control over it, but there’s some hope within it. As time is presented as non-linear, yet set completely in stone, the Tralfamadorians remind us although we can chose to dwell on the bad times presented at us, we should also remember the good. Or Vonnegut could be saying that this is just an excuse for ignoring the horrors in front of us.

Different people will take different things from Slaughterhouse-Five, just as people have different opinions on Billy Pilgrim. Was he deluded? Suffering from post-traumatic stress? Or did he really see aliens? With the blurred lines between fiction, genres, and reality, we will never know, but Vonnegut gives us plenty to think about.

Rating: 8/10

Asking the Big Questions

Can society ever be fixed? That’s the central question in the two TV shows I’m watching: Humans on Channel 4 and Psycho-Pass on Netflix. In terms of format, neither of these shows have anything in common, Humans is a British drama set  in the not-so-distant future, while Psycho-Pass is a Japanese anime set in a dystopian future.

Humans takes place in a world very much like ours, but with one small addition: there exists a type of Artificial Intelligence called Synths. They look human, they act human; and they do your washing, your shopping, and look after your kids. But it’s ok, because they can’t feel. Psycho-Pass is about a future world where the overarching Sibyl System is in control, where everyone has a Psycho-Pass, which measures everyone’s mental health, and gives them a “Criminal Coefficient”, if you’re above a certain value you are a “latent criminal”, that is you have the potential to commit a crime and you’re a risk to society. It’s then the law enforcement job to neutralise latent criminals before they commit a crime for the protection of society.

But what happens when you get a Synth that can feel? And what happens when you look too closely at a “perfect system”? Both shows examine how our society works, how we interact with other people, and can society ever “be fixed”?

If we introduce Artificial Intelligence that can do everything for us, does it give us more time to be useful, or does it take away our uses? In Humans Synths initially seem like a good idea, they’re basically like servants without the pay and human flaw. But we soon uncover the unsettling effect of their presence. Causing rifts in marriages, people bonding with them like parents and child. And as we follow the journey of a set of Synths who can feel, everything takes a new spin. As Niska, a feeling Synth, yells to a Synth brothel owner “Everything your men do to me, they want to do to you”.  Clearly Synths haven’t fixed society, they’ve just alleviated some of the damaging symptoms. Do the blurred lines between what is human and what we perceive as human matter?

In Psycho-Pass, the idea is that society is already fixed. The Sibyl system is optimising everyone’s happiness; it tells you what’s the best job for you, how to keep your mental health stable, but most importantly it identifies who’s the risk to this perfect society. Is it right to enforce controls upon people who are a threat to society even if they haven’t committed a crime? Is that more important than justice? A quandary that is presented in the first episode is around victims, who get emotionally traumatised from attacked, so much that their Psycho-Pass identifies them as a risk. Can we use logical machines to evaluate humanity?

I realised I’ve just asked a lot of questions in this, which I guess is why I enjoy these shows so much. I doubt we’re going to get artificial intelligence to the point in either of these shows, but it’s always good to ask “What If?”.

Guardians of the Galaxy (2014)

Directed: James Gunn

Produced: Kevin Feige

Screenplay: James Gunn, Nicole Perlman

Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace

When I saw the trailer of Guardians I wasn’t too excited. When Marvel resurrected its big players by the form of massive Hollywood franchises, I had at least heard of them; The Avengers, Spider-Man, and X-Men. DC chose to go with big-players Batman and Superman. However, pre-trailer, Guardians of the Galaxy was unknown to me. On top of this, it looked a bit, well, daft. Is that a talking racoon? Is that a talking tree?

Boy, I was wrong, and you are too, if you are considering giving it a miss. Marvel has made its funniest summer blockbuster yet. Guardians of the Galaxy doesn't take itself seriously, and the result being it’s hilarious. It’s funnier than many self-professed “comedies”, and by switching between gags and out-of-this-world action, every moment is thoroughly entertaining.

So what’s it all about? Meet our misfits of the galaxy, the most unlikely band of heroes you will ever meet. Ex-criminals thrown together by mishaps and coincidence to become a thoroughly unwilling group, trying to protect the galaxy from a mysterious orb getting into the hands of Ronan the Accuser.

Chris Pratt stars as Peter Quill, also known as Star Lord (but no-one calls him that). Quill was abducted from Earth as a child in the 80’s, meaning he is perpetually stuck in the 80’s (leading to one of the best soundtracks to have ever featured in a superhero movie). Quill’s moral code is a bit dodgy, but his heart is in the right place, a refreshing change from all recent self-sacrificing superheroes who are concerned with the greater good. Pratt is purely funny, all quips and dancing around the screen (most of the time literally), moving through physical and verbal comedy with ease.

Quill is joined by Rocket (voiced by Bradley Cooper), the aforementioned genetically-engineered racoon, who is obsessed by weapons and money; Groot, who is Rocket’s muscle and has three words during the whole film, which I’m sure was a challenging role for someone as notable as Vin Diesel; Drax, a blue alien caught up with righting the wrongs against him, and more importantly, does not get metaphors; and Zoe Saldana’s kick-ass Gamora, who provides the necessary voice of sanity.

Marvel may have not invested as much into Guardian’s as it has done with its bigger brothers, but that doesn’t detract from the usual Marvel antics, with explosion and colour. This film took you on a trip around the Galaxy that Marvel brags about it in its other films, but we have yet to witness, and it’s just as wonderful and inventive as the hints we’ve previously had.

Just as the film doesn’t take itself seriously, it’s important that you don’t either. Yes it’s a bit crazy, it’s totally silly, highly irrelevant, but mostly incredibly fun.

Rating: 10/10

All Our Yesterdays by Cristin Terrill

I say unpredictable a lot...

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The World's End (2013)

Director: Edgar Wright
Producer: Nira Park, Tim Bevan, Eric Fellner
Writers: Edgar Wright, Simon Pegg
Starring: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman

The World’s End comes from the eclectic duo Simon Pegg and Nick Frost (Hot Fuzz and Shaun of the Dead), and is the finale in their “Cornetto Trilogy” (using the world “trilogy” in the loosest sense). Gary King (Pegg), a man living in the past, is determined to reunite his old gang (Frost, Martin Freeman, Eddie Marsan, and Paddy Considine) to complete a pub crawl from their youth in their childhood town. However, all is not as it seems in their hometown, and suddenly everything turns, well, a bit apocalyptic.

It was fun, I’ll give it that. Pegg and Frost chemistry and friendship just sizzles across the screen, and there were enough jokes and character to keep it entertaining. I loved how all the characters took individual journeys and the writers were committed to having character development within all the chaos that was going on. But the main problem I had was the trailer had given away its biggest plot twist: the alien apocalypse. This meant I found the rest of the film fairly predictable, until it got to a shocking last fifteen minutes.

Plot aside; it was the characters which really made the film. There was something distinctly sorry and funny about King, who is clinging onto memories of old, and Pegg has never had a better formed character: obsessive, compulsive, and plain deluded, which makes a great comic character. Frost’s role as Andrew was the stark contrast to Gary (he hadn’t drunk in sixteen years), and he provided a clever humour, as well as a balance to everyone. The World’s End really highlighted good British comedy, within the high budget extravaganza. It was less slapstick and more witty, and you can see it shine through the American films in the same genre.

In the end, The World’s End didn’t live up to my expectations. Explosions, robots, and fight-sequences were tossed out every ten seconds and after a while the drinking and fighting got a bit repetitive. It was only the gems in between which saved it. I got that it was meant to be an alien invasion-comedy crossover, but it didn’t make enough sense to be a good alien invasion, and it was so caught up with trying to be one, that some of the comedy got left behind.

Sum It Up: Not as clever as their previous work, but still funny and with a heart. And lots of explosions.

Rating: 7/10

Noble Conflict by Malorie Blackman

Age Group: YA

Genre: Dystopian/ Science Fiction

Pub date: 1^st June 2013

Publisher: Random House Children

I desperately wanted to love this book because I love Malorie Blackman. I even went and met her, which was amazing and if you want to hear my feelings on the event, click here. Firstly, thank you Random House and NetGalley for the copy! I was initially disappointed with Noble Conflict, but I was glad that I kept on going, because the last half of the book was amazing.

Noble Conflict is a dystopian novel, set in the future where the Alliance is battling the Crusaders. The story follows Kasper, who is a Guardian (a police-force) as he slowly uncovers the truth about his world. I don’t know if it was because I’ve read too much dystopian fiction, but I found the first half of the novel pretty predictable. However, all was not as I had thought, and soon the twists started to kick in. Blackman has done what she does best, and created a well-structured science-fiction world, and uncovering the truth behind it was really exciting.

The writing style also took some getting used to. It was written in third person, but in the style of a teenage boy. Normally I love realistic teenager talk, but initially I found something clunky about the writing, and despite it all I found Kasper quite difficult to relate too, but he grew on me as it went on. As for the other characters, I liked Mac and Rhea, but I found most of the other Guardians irritating. I also didn’t understand why they every character talked with a gung-ho attitude, from teenagers to Voss, their commander. However, one stylistic part of the book I loved was the excerpts from “books” in that world. I thought it was a nice touch, and really helped to illustrate her themes.

And that’s one place Blackman really shines: her themes and story. Once I realised that I had been wrong about the predictability, I really started to enjoy my moments. What I love was that Blackman wasn’t afraid to do something drastic with the story. I was continuously shocked through the book, and I think it really hits home on how much do we know about the social system that we feel so protected by? Other subtler themes were creeping in too: the use of technology, the reliability of facts, death, and love.

Overall, I think Noble Conflict is a pretty decent YA novel. There’s plenty of thought-provoking content, and an interesting story within it. I would say it’s a bit like a 1984 for a younger audience. Do I think it’s to the standard of her previous work? Probably not. But don’t let that stop you reading it.

Sum It Up: A good dystopian, with brilliant ideas and themes, but if you are new to Malorie Blackman, I recommend starting with another one of her books.

Rating: 7/10

*I received this copy from Random House via NetGalley in exchange for an honest review*

Man of Steel (2013)

Directed by Zack Snyder
Produced by Christopher Nolan, Charles Roven, Emma Thomas, Deborah Snyder
Screenplay by David S. Goyer and based on Superman by Jerry Siegel and Joe Shuster
Starring: Henry Cavill, Amy Adams, Kevin Costner, Russell Crowe
Rating: 12A/ PG-13

So Superman is back, and smashing its way through the box office. With the hype surrounding the film, Man of Steel had a lot to live up too. It was good, but it stopped short of the height it was meant to fly too.

Superman lore is not a new concept of me, and as a fan I was incredibly excited for the film. Disappointingly, for a film so long, the plot was incredibly simple, especially when parts of it are integrated into popular culture knowledge. Superman leaves Krypton, arrives on Earth, grows up on Earth, the bad guy comes, and Superman saves the day… In a movie where everyone knows the general storyline, you expect a few more plot twists. Major parts of the film were given to intense, long action sequences that eventually became tedious, and felt like a rip-off  of certain movies (*cough* The Avengers). In all the time they wasted on that, they could have created a complex plot, especially considering Nolan’s involvement and his clever Dark Knight trilogy.  The saving grace of the storyline was the intertwining flashbacks to Clark’s childhood and his early days before the cape, with the struggle he had with family, choice, and destiny.

Henry Cavill was a good Clark Kent/ Superman, and certainly looks the part, but if he had been given a better script, he could have been a great one. But thinking back on the film, he was barely in it. Half of the film was dedicated to Krypton, Zod, or flashbacks. It seems all he was there was to throw punches around, meaning the character had barely any connection to the audience. But when he did get a chance to make a connection, boy, did he do it well. The fragility within the character was really shown when Clark was restraining himself in his early days or in the moments with Lois. I particularly liked Adams and Cavill’s chemistry, and Adams was a good Lois Lane, feisty and headstrong, if underdeveloped. In fact, all the acting was really good; it was the meagre script which let everyone down.

Gaping plot issues aside, Man of Steel wasn’t a bad film for numerous reasons. It played to the classic, feel-good blockbuster routine: attractive hero, lots of action, and the occasional injection of emotion to lift it up. A quirky feature I did like was that it was more light-hearted than The Dark Knight with the occasional quip here and there. And don’t get me wrong, the action sequences were exhilarating for the first 10 minutes worth. Most importantly, there were rare occasions where script, cinematography, and acting came together to produce something out of this world, which made the dire bits worthwhile.

I would say Man of Steel is worth a watch if you don’t expect too much of it; if you do, you will surely be disappointed. It lacked the fun and wit of Marvel, and the exciting plot of The Dark Knight, but made up in visuals, style, and the occasional glimpse into something great. I wonder if all the fun went with the red pants of Superman’s costume…

Sum It Up: Definitely worth a watch, bound to be a hit for those who like a lot of explosions, but don't expect anything more than a generic superhero film.

Rating: 6/10

The 5th Wave by Rick Yancey

Age Group: YA

Genre: Dystopian/ Science Fiction

Pub date: 7^th May 2013

Publisher: Puffin

I went to an event at Penguin HQ courtesy of World Book Day (thank you!), to see Rick Yancey talk about his new book: The 5^th Wave. Youtube video about that will be up soon. But let’s get to the point here: the book itself.

Do you know how long I have been waiting for a good alien invasion YA novel? Specific I know, but nevertheless true. In a time where I’ve got a bucketful of dystopian novels raining down on me, this book was refreshing.

The 5th Wave tells the story of Earth after aliens, which our protagonist, Cassie, names “The Others”, invade and are attempting to wipe out the human race. It’s do-or-die in this world, but it more feels like die-or-die. We join Cassie as she attempts to keep a promise in a world where you can trust no one. I have to say; initially I was a bit sceptical of the book, mostly because I thought I could predict what was going to happen. I was so wrong. There was enough plot twists in this book to make your mind believe it’s playing mental Twister.

The book is written from several points of view, I’m not going to say who, but I am glad of that because it broke the book up a bit, and allowed you to see the full world from different angles. And boy, it’s a good world. As a science-fiction fan, I was impressed by the plausibility of the scenario and the differences it presented, even if I was miffed by the sweeping generalizations Yancey made of alien stories.

I really liked all the characters. There was something relatable to all of them, and the portrayal of how terror and loss can affect people differently made them and the story realistic. I definitely think the best character was Ben, his views on the world, his sense of morality, and his wit. Cassie had that funny kick-ass girl attitude, which was nice to read, but it was at her moments of weakness and doubt that I liked her the most. I have a slight criticism of the writing, in that Ben and Cassie had the same type of voice at the beginning, which felt like another generalization, but this one of teenagers, but I was pleased as Ben changed over the story, his voice felt like it did too. I loved how Yancey had a different tone to most dystopians, with jokes and attitude, but never losing sight of the seriousness of the situation.

Overall, I loved this book. It kept me gripped right to the end. In fact, I got to the last page and was like “where’s the rest?”. I cannot wait till the next one!

Rating: 9/10
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Iron Man 3 (2013)

Marvel had a lot to live up to after The Avengers. Iron Man was the first in the instalments, and brought to us witty dialogue, action, and a superhero plot. Each instalment had to match the previous, only to be completely tied together and blown out of the water by the epic Avengers. To say my expectations were high wouldn’t cover it.

Thankfully Iron Man 3 exceeded them.

Iron Man 3 takes place after the Avengers, and, without giving too much away, involves a lot of bio-technology jargon, explosions, and characters from Tony’s past. Shane Black and Drew Pearce has not let us down with hilarious not-quite-villains (Ben Kingsley I salute you), sharp one liners, and an twisting and turning superhero plot. The action sequences and special effects were a visual spectacle, and I would expect no less considering what they had pulled off with The Avengers.

As for the man himself? Downey Jr. was the Tony Stark that we all know and love. He was funny, he was egotistical, and he was human. And when we’re watching an iron suit, is an important thing to remember. I was glad to see Stark was affected by what happened in The Avengers, it gave the sense that Iron Man 3 was trying to stand by The Avengers, instead of trying to brush past it, as well as reminding us that our superhero was mortal. Tony Stark has always been my favourite Avenger, he always seemed to be the most robust character, the most charismatic, and in the end, the one you didn’t mind seeing a one man show of.

If anything, that’s the only negative I had to this film, the lack of development in most of the other characters. I really felt like they could have pushed a lot further with Pepper Potts and their relationship, instead of having her hanging on for her life in a sports bra and using her as a plot device to express Starks obsession with Iron Man. I suspect Paltrow is a better actress than the character shows off. Rebecca Hall’s character, Maya, had a strong start as strong female scientist, and then went absolutely nowhere. Guy Pearce as Killian, the villain, is a tricky one. I understood his motives and found him despicable enough to hate, but it felt that I hated his actions more than his character.

There were two secret stars to this film though: Ben Kingsley as the Mandarin, and Ty Simpkins as Harley, a 10 year old boy. I was utterly impressed by the way Kingsley moved effortlessly through the different dimensions of his character, and Simpkins, the first prominent child in a Marvel film, was intelligent, funny, and adorable.

Would I watch Iron Man 3 again? Yes. This film had what all Marvel films have, the enjoyment factor, which is hard to get anywhere else. Iron Man 3 may seem like a one man show at some points, but it's a damn good one.

Rating: 8/10