USA Book List!

Right guys, I’m off to the U.S of A in a couple of weeks, and I thought it may be fun if I do my favourite all-American books. Books which really capture my mental vision of America: freedom and sunshine and all that jazz, as well as my heart. So why don’t y’all come along with me with my book-trip across the states? I’ve also picked the bits from the books I would love to take with me.

The Great Gatsby

Do I need to say anything more? To me it showcased the good and bad of America, as well as taking me on an intense ride. This book showed the dark side of the American dream, yet there was something intoxicating about the lavish parties, and wealth and youth. There was something classy and gritty about it all, and I loved every second of it.

Take: Gatsby. Come on, who wouldn’t want him as a road trip companion?

The Perks of Being a Wallflower

I have a confession: I’ve always wanted to go to an American high-school. Having said that, I have a feeling I would be more like Charlie out of Perks, than Regina George (bonus points to everyone who gets that reference). After spending most of my teens reading and watching sugar-coated American high school dramas, it was refreshing to read a book that resonated true to what could be an actual high-school experience.

Take: That famous “infinite” moment in the car with Charlie, Sam, and Patrick

The Princess Diaries

I’m quite a nostalgic person, and The Princess Diaries was the first American YA I read. It’s the book that caused me to fall in love with New York (despite never have being there), plus it was just so fun! I related to Mia so much (except the whole princess thing), and again it was me secretly living my dream of American high-school through her (I had a small obsession when I was a teen).

Take: Fat Louis. He’s a cool cat. And maybe a tiara…

To Kill a Mockingbird

This was the first American classic I read, and introduced me to the harsh reality of the South in that era. I think as much as I want to think everything is all sunshine and flag-waving, there’s a dark side to everything, and I felt To Kill a Mockingbird’s significance as I was reading it and found it a real eye-opener into racism in the USA.

Take: Atticus Finch (he’s just awesome)

Tell me what are your all-American books in the comments below!

Pride and Prejudice by Jane Austen

Age Group: Adult/ YA

Genre: Classic, romance

This was really the best classic romantic novel I have ever read. It is witty, is is romantic, and it has excellent characters, and I thoroughly understand why it has survived for 200 years, and has inspired romantic literature as a whole. 

I only had a vague idea of what the plot is about, having managed to avoid most adaptations of it. I have to say, for a book which I thought I knew what was going to happen, it remained surprisingly unpredictable. The book starts off when Mr Bingley moves nearby to the Bennet household, and he immediately hits it off with Elizabeth's sister. Soon the infamous Mr Darcy arrives, and Elizabeth immediately hates him. You can see where that was going to go. However, what I wasn't prepared for was all the side plots and twists which kept the book entertaining and moving along.

The characters really makes the book. Elizabeth Bennet is everything I would want from a modern day female heroine, let alone a 21st century one. She is sharp, funny, and headstrong. She would not bow down to pressure, and was easy to sympathise with. I found her family to be full of character, and even liked the annoying ones, such as Collins, as they were so well written. Each character had their own quirks and motives, from Bingley's sisters to Lady Catherine. 

Pride and Prejudice may be a love story, but I found it to be an examination of class and character, one which is relevant even today. Austen's themes are clear, don't judge people on their first impression, and there are more to them than you think. That can be seen from Elizabeth's impressions on Darcy, and his on Jane. It is also a fascinating historical account on the importance of marriage, and the rigorous rules imposed around it.

All in all, I really loved Pride and Prejudice. It didn't matter to me how it was written, or the time it was set in, all I really cared about was the story. And if that isn't the mark of a good story, I don't know what is.

Sum It Up: By far, one of the best classic books I've read. It was funny, relatable, and had a brilliant story. It's easy to see why it's a classic book.

Rating: 10/10

Much Ado About Nothing (2013)

Director: Joss Whedon

Screenplay: Joss Whedon and based on Much Ado About Nothing by William Shakespeare

Starring: Amy Acker, Alexis Denisof, Reed Diamond, Nathan Fillion

Rating: 12A/ PG-13

Wit, sexiness, and deception oozed out of Shakespeare’s timeless play in this modern adaptation by geek favourite, Joss Whedon. I have to say, I am a huge fan of Whedon and Shakespeare, and was eager to see what this partnership would bring. What I saw was one of the best modern Shakespeare adaptation I have seen, even surpassing, dare I say it, Baz Luhrmann’s Romeo + Juliet.

It’s very easy for Shakespeare to pass right over people’s heads if it is not performed properly. I’m happy to say, even if you are not familiar with the play, you can grasp the plot as it was executed so well. The tale goes as Benedick (Alexis Denisoff) arrives with Don Pedro (Reed Diamond) and Claudio (Fran Kranz) to the home of Leonarto (Clark Gregg). Claudio instantly falls for Leonarto’s daughter, Hero (Jillian Morgese), while Benedick and Beatrice (Amy Acker) continue their sexual tension fuelled sparring. However Don John (Sean Maher) is there to throw a spanner into the works. The rest is history. Or a 400 year old play.

Whedon fans will recognise most of the names off the cast list. Nearly every single cast member has appeared in Whedonverse. 

That’s not to say that they didn’t deserve the parts they were given. I have to say, this was an exquisitely cast film. The stars were Denisoff and Acker, playing witty partners Benedick and Beatrice, who were chock full of on-screen chemistry. I have never laughed so much at a Shakespeare adaptation then I did because of the two of them. I’m glad Whedon didn’t throw Nathan Fillion into a more central role because he was one of the biggest names there, but gave him the role of Dogberry, and him and Tom Lenk provided such a good laugh that they should consider becoming a double act.

Set in a modern day period with technology playing a part, yet shot in timeless black and white, Whedon’s direction is written all over the film. The booze and sex really glams up the play, opposed to cheapening it. There were clever and inventive background stories which played upon the Shakespearian script, such as Beatrice and Benedick’s history, and Don John’s and Conrade’s affair. Then there was the glitz and glam of the masquerade, the soliloquies with context, and the personal quality of the whole film being shot entirely in Whedon’s home. Not to mention the score. Whedon scored the film himself, and some of the songs included modernised versions of Shakespeare’s original songs for the play.

Much Ado About Nothing has the spark and chemistry of the 400 year old play, which keeps its relevance right to today. It is never overshadowed by its language and history, but instead plays with it in a quirky and dynamic way. The story is beautifully illustrated and exceptionally cast, and I am glad Whedon tossed aside high value production costs, in favour for something simpler, but no less spectacular.

Sum It Up: You like Shakespeare? Go see this. You like Whedon? Go see this. You like films? Go see this. It’s a beautiful, intelligent film, which captures the essence of Much Ado About Nothing with charm and wit.

Rating: 10/10